Collective Collage

“44 fingers from six photographed women’s hands and five men’s hands. The corresponding thumbs and palms are part of a so-called ‘Collective Collage’ that will be on display starting tomorrow at Gele Rijdersplein in the center of Arnhem, as a contribution to the Beethoven Festival taking place from June 5 to 29, commemorating the 150th anniversary of Ludwig van Beethoven’s death.

The Festival Arnhem Foundation, which also organized the Romantic Festival in 1973, calls the Beethoven Festival a “total experience” because there is not only much to listen to but also much to see. In addition to a concert series by the Gelders Orchestra featuring a large number of Beethoven’s works, there are also visual arts and film events. Under the motto “Beethoven music for the millions,” twelve visual artists from various European countries were commissioned to ‘realize a project.’ The “Collective Collage” is a submission inspired by the Beethoven theme by the Belgian artist Roland Van den Berghe. At first glance, the collage looks like an ordinary billboard, plastered with posters. But when those are peeled off, entirely different images come to light. How this artwork will ultimately look—on the last day of the festival—depends in part on the audience. It’s no coincidence that the collage is called “collective”: every passerby is welcome to tear pieces off and add their own.

Design by Kollectieve Kollage, 1977. From the publication Wolfsoog.

Scan of a newspaper article, “44 Fingers for Beethoven,” Arnhem, 1977. From the publication Wolfsoog.

The purpose of the fingers shown above is to be cut out and glued onto the collage, so that the artwork takes its final form. (A form that, incidentally, has been “pre-programmed” by Roland Van den Berghe through complicated glue-and-paste constructions: that’s not all there is to say about the 44 fingers, because—as is often the case with works of art—it’s all more complicated (or simpler) than it seems. Together, the fingers on this page also form a work of art (who knows, a form of ‘press-art’), so anyone who wants to frame and hang them has the artist’s full consent; he believes the reader “can do whatever they want with them.”

Back to the festival. During the first week, visual artists who have previously performed in person at Amsterdam’s Performance Galerie De Appel will perform every day at the Arnhem Art Center De Korenbeurs. An exhibition has been organized at the Arnhem Municipal Museum featuring the twelve artists who created a Beethoven-inspired artwork for the festival.”

From: Wolfsoog, 4th edition, scanned newspaper article by NRC/Handelsblad, June 3, 1977.

Timeline

June 4, 1977
Completion of the artwork. In this state, the collective collage is delivered to the “Festival Arnhem” foundation. It resembles a billboard.

June 5–29, 1977
Beethoven Festival.

June 6, 1977
During the night of June 5–6, the collective collage was covered up by a local activist group.

June 23, 1977
The billboard restored by city workers.

June 30, 1977
Termination notice signed by the organizers of the Beethoven Festival.

The billboard restored by city workers, Arnhem, 1977. From the publication Wolfsoog. (Beter foto??)